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A wanderer named Jack DiMercurio secretly desires the life and wife of his more affluent friend, Andy Shelton. Past tensions resurface between the two men during an informal reunion at Andy’s cottage on Lake Michigan. One heinous act allows Jack to draw close to Andy’s wife Liz, but Jack finds living Andy’s life is a dangerous lie.
A serial killer who’s preying on high-end prostitutes sets his sights on Diana. In a desperate attempt to escape him, she becomes the victim of a car accident that renders her blind and kills the family of 10-year-old Chin. But the killer isn’t done with her, and it’s up to the two survivors to stop him before it’s too late.
A mother and her three daughters — romantic Bee, sensible Evie, and child of nature Daisy — occupy the titular glass building, which has been completely sealed off to protect its occupants from a dementia-inducing toxin called the Shred that’s poisoning the air outside. Fearful of becoming like the lost souls who wander the abyss outside, the family keep a grasp on their past by performing sacred rituals. When Bee breaks the rules and lets an injured stranger into their midst, the family dynamic is shattered forever, as hidden truths upend the illusions the women have worked so hard to protect.
The team behind Scary Movie takes on the comic book genre in this tale of Rick Riker, a nerdy teen imbued with superpowers by a radioactive dragonfly. And because every hero needs a nemesis, enter Lou Landers, aka the villainously goofy Hourglass.
After going down in the fifth round, boxer Bud Gordon bowed out of the limelight. Now residing in a fixer-upper apartment in New Jersey with his girlfriend, Bud longs for his former Manhattan glory. In an effort to get back in the game, he makes a deal with a crooked restaurateur. But quick schemes rarely bring easy pay-offs and as the consequences of his business negotiations unfold, Bud has to make a choice between his integrity and his aspirations.
ROAD 2: THE SEA OF GLASS AND FIRE picks up where the first film in the series ends. After the rapture has taken place, JOSH MCMANUS (David A. R. White) is left behind and goes on a journey to find out what has happened and attempts to travel home to find his family. Before he can go anywhere, he is confronted again by the biker gang that harassed him previously and he joins forces with a young girl whose family has been taken up into the sky by God along with other believers. Chasing Josh at every turn is the brutal outlaw HAWG (Brian Bosworth) and his rolling gang of killers. On the day after the Biblical rapture, law and order have broken down – the highways have become a no-mans-land of bandits and looters. Josh’s world has been shaken to the core, and he must make a choice, embrace his past as a man of violence, or learn a new path and become a man of faith. Which will he choose?
J.J. is a rookie in the Sheriff’s Department and the first black officer at that station. Racial tensions run high in the department as some of J.J.’s fellow officers resent his presence. His only real friend is the other new trooper, the first female officer to work there, who also suffers similar discrimination in the otherwise all-white-male work environment. When J.J. becomes increasingly aware of police corruption during the murder trial of Teddy Woods, whom he helped to arrest, he faces difficult decisions and puts himself into grave personal danger in the service of justice.
During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable reformist politician Ralph Henry. When Ralph’s son, Taylor Henry, a gambler and the lover of Paul’s sister Opal, is murdered, Paul’s right arm, Ed Beaumont, finds his body on the street. Nick uses the financial situation of The Observer to force the publisher Clyde Matthews to use the newspaper to raise the suspicion that Paul Madvig might have killed Taylor.
A psycho- sexual thriller following a couple that buys an old motel in the desert looking for a new beginning, but what seemed at first as an escape is soon a thrilling ride through a mysterious world when Ray discovers a two way mirror and witnesses a horrifying murder. In a twisted game of cat and mouse, Ray must race to save his wife and himself from a gruesome secret connected to the motel and the strange people who visit there.
A troubled young man living with his pregnant girlfriend finds his world turned upside down when his girlfriend’s mother arrives and seems to know all of his darkest secrets and fears.
Following the conclusion of Split, Glass finds David Dunn pursuing Kevin Wendell Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Elijah Price emerges as an orchestrator who holds secrets critical to both men.
With his signature circular glasses and mustache, Michael Chow is an exuberant force at the crossroads between eccentricity and sophistication. The famed restaurateur defined “The Moment” with the openings of Mr. Chow, the bustling upscale Chinese eateries that attracted the glitterati of Swingin’ London, 70s Hollywood, and post Studio 54 New York.
The Old Dark House style mystery thriller gets an affectionately murky makeover in director Jack McHenry’s Agatha Christie-meets-Lucio Fulci feature debut. In stunning Black & White, with cut-glass British accents and a dodgy American in the cocktail party mix, a sophisticated 1930s soiree at an isolated country mansion descends into carnage, gore and demonic possession as rivalries and old friendships are put to the test when a gateway to Hell opens up.
The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.
Apart from a few simple houses, a bar, a gas station with a mini supermarket and a garbage dump, there really is nothing in rural Fulton County, Georgia. Introverted Joel works at the garbage dump where he sometimes finds a useful glass bottle or two, which he cleans up and takes home. Then, one day, he receives an unexpected phone call: his ex-wife has disappeared and it is now his responsibility to look after their son. Joel, about to meet his son for the very first time, has no idea how he is going to build a relationship with 10-year-old Will who also seems to live in a world of his own. Luckily for them, Clara, a bright girl from the neighbourhood, is on hand to help, and Will begins to open up to his father. But the youth welfare officer is already banging on the door. Director Jaron Albertin’s directorial debut is a sensitive, slightly melancholic drama about two outsiders who discover a deep understanding of each other.
Young Terry Lambert returns home from serving a prison term for a gang-rape he was forced to participate in. He seeks revenge on his lawyer and the girl who framed him. But his real problem is his overbearing mother, whose boarding house he resides in and who keeps bringing him glasses of chocolate milk. One of her boarders, Lori, becomes attracted to him. However, while he was serving his prison sentence, Terry developed an interest in rough, violent sex, and gory death. Now, one by one, some of the town’s women pop up dead.
Arthur and his two children, Kathy and Bobby, inherit his Uncle Cyrus’s estate: a glass house that serves as a prison to 12 ghosts. When the family, accompanied by Bobby’s Nanny and an attorney, enter the house they find themselves trapped inside an evil machine “designed by the devil and powered by the dead” to open the Eye of Hell. Aided by Dennis, a ghost hunter, and his rival Kalina, a ghost rights activist out to set the ghosts free, the group must do what they can to get out of the house alive.
Alison Wynn is an amateur triathlete who convinces Dr. Laura Stevens, a controversial peak-performance trainer, to take her on as a client. Together they embark on a rigorous program combining cutting-edge physical training with experimental hypnotherapy in an effort to render Alison more competitive. Pushed to her limits and forced to explore the painful repressed memories of her mother’s suicide, Dr. Stevens’ punishing regimen helps Alison post impressive gains and break through her own glass ceiling; but at what cost? Alison’s work and family life with her husband and daughter suffer but no sacrifice seems too great to satisfy Laura’s escalating demands. In fact Laura will do whatever it takes to have Alison all to herself. As Alison runs directly into Laura’s sinister psychological trap, it’s up to Alison’s daughter to help her mother see through the deception before they lose her forever.
The story of ‘CHRISTMAS SLAY’ begins on a wintry Christmas Eve in the picturesque Kentish countryside, the horrific murder of a loving family, and the capture of a Santa Claus obsessed blood thirsty killer. A Christmas approaches the following year, a group of college girlfriends decide to get away from it all and relax and party over the Christmas holiday, they decide to escape to the idyllic Mistletoe Lodge nestled within the beautiful snowy mountains of the Scottish Highlands, what starts off as the perfect festive getaway of fun in the snow and a glass of eggnog or two, suddenly descends into a gruesome bloodbath of terror and a fight for survival.
Ray Nettles, a detective of San Francisco, and his partner Fuzzy must take up to one of the most dangerous terrorist gangs of the city. When one of the terrorists, the beautiful scientist Claire Manning is arrested, Swan, the leader of the terrorists, claims he will let explode bombs throughout the city if she will not be released. Because of the possible bloodshed, Nettles calls for the help of explosive expert Frank Glass…
Jobless sportswriter Eddie Willis is hired by corrupt fight promoter Nick Benko to promote his current protégé, an unknown Argentinian boxer named Toro Moreno. Although Moreno is a hulking giant, his chances for success are hampered by a powder-puff punch and a glass jaw. Exploiting Willis’ reputation for integrity and standing in the boxing community, Benko arranges a series of fixed fights that propel the unsophisticated Moreno to #1 contender for the championship. The reigning champ, the sadistic Buddy Brannen, harbors resentment at the publicity Toro has been receiving and vows to viciously punish him in the ring. Eddie must now decide whether or not to tell the naive Toro the truth.
From acclaimed director Michael Apted (The Up Series, Masters of Sex, The World is Not Enough) comes a revealing look at the art of filmmaking and photography. A journey of glass, the documentary explores the relationship between the artisans who create camera lenses and the masters of light who use these lenses to capture their beloved art form. Bending the Light features never-before-seen footage from inside a premier Japanese lens factory, intimate interviews with lens engineers, and a peek into the world of award-winning photographers and cinematographers Stephen Goldblatt, ASC, BSC, Greg Gorman, Simon Bruty, Laura El-Tantawy, and Richard Barnes.
Neil is a painter and graphic designer. On a morning just like any other morning his girlfriend Amanda leaves him and moves out of their house (don’t worry, it’s a rental.) That morning Neil tries to cope as best he knows how, but in a strange turn of events he ends up shooting back a glass of bleach. He wakes up to suicide watch and court appointed therapy as well as the empty void Amanda left. Now Neil has to decide what he can do to feel better about himself. Should he get Amanda back? Make his old friends like him again? Confront his estranged father? Eat a ton of Chinese food? Or maybe he should just finish his latest goddamned painting. Will he figure it out? Well you better hope so.
When nice-guy Jeremy Martin puts on mysterious virtual reality glasses at the mall, he suddenly loses his “inside voice” and starts spouting every thought he has out loud. Making matters worse, Jeremy is running for student council president against his classmate Milly, who is full of great ideas to improve the school. Desperate to get back to normal, Jeremy and his sister Victoria must figure out how to convince his brain that he can speak up for himself.
The North Star is the story of Benjamin “Big Ben” Jones and Moses Hopkins, two slaves who escaped from a Virginia plantation and made their way to freedom in Buckingham, Pennsylvania in 1849. Big Ben’s 6 foot 10 inch size and a record bounty for his safe return make him the focus of every slave hunter on the east coast. Their journey exposes them to danger and cruelty; however it also exposes them to the unexpected kindness of the people involved in the Underground Railroad. These experiences will change Ben and Moses forever. Upon reaching the relative safety of Mt. Gilead Church on Buckingham Mountain, Ben and Moses get to experience life as free men and cross paths with historical figures such as Frederick Douglass, Harriet Tubman, Joshua and Jonathan Fell. Their freedom also allows them to experience heroism, romance and treachery. Written by LuckPig Studios
Him and her. A husband and a wife staying in a cozy hotel where you can come for just a couple of days with a risk to get stuck forever. It is so easy to get trapped in the daily routine. Indeed, nothing is more permanent than the temporary. Their time is like a flat circle. He has his phone calls and business meetings. She is wrapped in her dreams and doubts. All reactions are predictable, all conversations are learnt by heart. An endless LP record of life keeps playing again and again repeating itself. But a few things can break this tune, like a scratch on the record, a crack on a wine glass, a sudden glance or a meeting with a stranger. And then you know: tomorrow will come soon. Any moment something can go wrong, throw you off course, and force you to make a choice.
There is a long-held belief that mirrors act as gateways to another dimension. ·Some also believe the looking glass plays host to a world filled with evil spirits. Such superstition has been the basis for ancient folklore legends about haunting and possession. And one tale about a supposedly haunted mirror was picked up by the media in 2012. Both the Daily Mail and Huffington Post reported on how the owners of a recently purchased antique mirror left them dogged by bad luck, financial misery, strange sightings and death-defying illness. Now writer/director Edward Boase brings that horrifying story to the screen starring Jemma Dallender (I SPIT ON YOUR GRAVE 2), Joshua Dickinson and Nate Fallows (‘Whitechapel’) as flatmates who buy the same eerie antique on ebay and set up round the clock cameras in the hopes of capturing evidence of bumps in the night. You have been warned!
Four desperate teenagers. A night of sexy mayhem. The big city. Or so the plan goes, until a series of misadventures later, Babai, Pele, Ria and Payal end up in a locked shopping mall in the dead of the night. Alone at last… until an old couple appears out of nowhere with a piece of folded leather and a glass container with two dice made of bone. A game. Simple, but deadly. They call it Ludo. A game defiled by a young couple centuries ago. An unbreakable curse, a living board, eons of bloodbath spanning the subcontinent. A game that has reached this city. Not just monsters, but prisoners of fate. Immortal lovers existing under a curse that will not die. They live within the game. Blood must spill. Bone must shatter. Beware the rattle of the Ludo dice.
The exploding cork. Endless tiny bubbles floating up and up in the glass. An indulgence. A celebration. A seduction. A triumph. This is the essence of Champagne, isn’t it? But it’s not just bubbles in a glass that makes the wine, or the mystique. Only sparkling wine produced within the boundaries of the Champagne region is truly “Champagne.” At first glance, the region is not an obvious source of romance. Champagne’s history is grim and bloody, swept by war and destruction from Attila the Hun to the filthy trenches of WWI and the Nazi depredations of WWII. The environment for winemaking is desperately hard — northerly latitude, chalky soil, copious rain, frost, rot. Yet it’s these difficulties that help make the wine unique.
Danger Death Ray, the funniest of the cheesy spy films that MST had fun with. Former Tarzan Gordon Scott sucks in his gut for this one. Professor Carmichael has developed a death ray “for peaceful purposes only” but a vague group of bad guys want it instead, so he’s kidnapped by doughy guys and taken to their toy sub (via a toy helicopter)Bart Fargo must rescue him cause he’s the only American spy who looks good in womanly sunglasses. Cool music accompanies him as he searches for Carmichael while he must deal with evil Abe Lincolns, a fey bad guy tuned friend of Fargo’s and a couple of women who he must sleep with. In the end the ineffective bad guy gets killed, the professor and the death ray get rescued and Bart gets the woman. There’s also a complex scene with a watch thrown in a pool which symbolizes the amount of time that was wasted on smart screen writing for the movie.
Filmmaker and omnivore John Papola, together with his vegetarian wife Lisa, offer up a timely and refreshingly unbiased look at how farm animals are raised for our consumption. With unprecedented access to large-scale conventional farms, Papola asks the tough questions behind every hamburger, glass of milk and baby-back rib. What he discovers are not heartless industrialists, but America’s farmers – real people who, along with him, are grappling with the moral dimensions of farming animals for food.
Taking viewers back to October 19, 1987 – aka Black Monday, the worst stock market crash in Wall Street history – this is the story of how a group of outsiders took on the blue-blood, old-boys club of Wall Street and ended up crashing the world’s largest financial system, a Lamborghini limousine, Don Henley’s birthday party and the glass ceiling.
A man’s affair with his family’s housemaid leads to a dark consequences. Eun-yi is hired as an au pair for Hae-ra (pregnant with twins) and her rich husband Hoon. Eun-yi’s primary task is watching the couple’s young daughter, Nami. Eun-yi is eager to connect to Nami, who gradually warms to her. Hoon begins to secretly flirt with Eun-yi, enticing her with glasses of wine and his piano playing, and they eventually begin a sexual relationship. Despite the affair, Eun-yi is still warm and friendly to Hoon’s oblivious wife, Hae-ra. She even expresses enthusiasm and delight at the progress of Hae-ra’s pregnancy.
